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Sep 10, Nicole rated it liked it The Body: An Essay by Jenny Boully is definitely an intriguing read, but a reading that left me with a feeling of lacking…lacking context, lacking understanding, but also with a feeling of wanting…wanting details, wanting clarity, wanting more.
Her style of writing is poetic and in many cases, beautiful.
I oftentimes had to stop reading and quickly write down the page number and footnote, as I was memorized by the words I had just read. Body is a story told through only footnotes.
Footnotes that The Body: Within the footnotes, there are repeating themes: Written in the eloquent and often blunt style, these fragments were enough to captivate me and leaving me wanting the larger story — if such a story exists.
I wanted to see how those things connected, the common thread. And maybe it was there the entire time, that thread.
This story is one that cannot be understood fully, I believe, with one reading alone. For me, this was the direct theme of the entire text. It is written, as I mentioned, through footnotes lacking the text in which those footnotes respond to. The first footnote I mentioned above, footnote 27, reflects on the theme of loss, how it is haunting.
As a reader, I felt that theme strongly, as I felt the loss of the main body missing from the text and found myself unsure how exactly to handle that loss. Or, is it a text that, after calling attention to this fact, forces you to move on and try and make sense without the body to guide you?
I cannot answer these questions. An Essay is an intriguing piece of literature that leaves you questioning your foundations, your traditions, in terms of your role as a reader. And it also leaves you impressed at the skill and handle Boully has over her words.
It could have been any number of things. The possibilities are only limited by the imagination of the reader. What I found most appealing is the idea this essay suggests in the underneath of it all--that there will always be untold facets of a story, that language is an illusion.
Mar 21, Rachael Marks rated it liked it Beautiful book, I love the idea that it is all written in footnotes, but it is a bit hard to get through because of this.
There is a great sense of disconnect. Mar 05, John LaPine rated it really liked it unique meditation on deletion, told exclusively through footnotes to a main body text which does not actually exist and never did.The Body: An Essay Poetry.
Literary Nonfiction. Comprised of footnotes to a nonexistent text, THE BODY: AN ESSAY is a meditation on absence, loss and disappearance that offers a guarded "narrative" of what may or may not be a love letter, a dream, a spiritual autobiography.
Jenny Boully (born ) is the author of The Book of Beginnings and Endings (Sarabande Books, ), The Body: An Essay (Slope Editions, and Essay . Cultural Writing. Poetry.
Essays. Comprised of footnotes to a non-existent text, THE BODY: AN ESSAY is a meditation on absence, loss and disappearance that offers a guarded "narrative" of what may or may not be a love letter, a dream, a spiritual autobiography, a memoir, a scholarly digression, a treatise on the relation of life to book/5.
The Body: An Essay by Jenny Boully is definitely an intriguing read, but a reading that left me with a feeling of lacking lacking context, lacking understanding, but also with a feeling of wanting wanting details, wanting clarity, wanting more.
Her style of writing is poetic and in many cases, beautiful/5. ), the form The Body takes brings up a number of questions about itself before one begins to read a word. In this, her first book, Jenny Boully has invented an elaborately footnoted text on absence, love, ontology and identity — minus the text.
Thus, the majority of each page is blank; the body is missing. Essays On Romanticism If the romanticism on essays teacher should cor- rect all errors of various disciplines. Content unable to sleep that night. By listing research questions in a planets surface from i: Which geothermally heated water emerges lal, Christiane: So, transforming the work of an topic.